I just found a note I wrote when I was doing Foundation -
"Abstract Expressionism
an infantile involuntary release, a spontaneous emotional ejaculation, or an appeal to the human side of the inhuman world?"
I think I was a bit sick of Freud and PostModernsim.
Still am...!
Thursday, March 30, 2006
Cindy Sherman
Dont know why, but I'm very taken by the idea of doing watercolours of her film stills. I did one because I was looking at windows and their relationship to the soul (ie people gazing out of them wistfully or light being shone on faces bathing them in some kind of radiance), and it struck me that treating her photographs in this romantic rather detatched way would do something with them that would transform them into something very different visually whilst still keeping something of the intended original mood. The idea of a film still in itself suggests another world, a fantasy world, and watercolour is a medium used a lot in fantasising and idealising environments. The room becomes them like a landscape, and the figure a mist-enshrouded landmark.

Tuesday, March 28, 2006
LOOKING AT ELLSWORTH KELLY
I become aware of the shortcomings of my own eyes
The pale orange looks dirty - my vision dirties it
Floaters disturb the plains
The edges jump and shimmer because of my astigmatism
The yellow makes the sockets in my face ache
Writing becomes difficult to read
The eye cant stay still
Images of lights and windows are transposed on the colours
I look for faults - vertical brush strokes, the lapped corner of a canvas, a speck in the grain
One corner is red and one is green
There's pink dots in the black
Colours jump. Surfaces swirl with movement
The glance causes ripples and whirlpools. The stares causes a shift
Yellow and green slicks slip away. Diagonals appear
The pale orange looks dirty - my vision dirties it
Floaters disturb the plains
The edges jump and shimmer because of my astigmatism
The yellow makes the sockets in my face ache
Writing becomes difficult to read
The eye cant stay still
Images of lights and windows are transposed on the colours
I look for faults - vertical brush strokes, the lapped corner of a canvas, a speck in the grain
One corner is red and one is green
There's pink dots in the black
Colours jump. Surfaces swirl with movement
The glance causes ripples and whirlpools. The stares causes a shift
Yellow and green slicks slip away. Diagonals appear
Monday, March 27, 2006
Object Permanence
I have heard of this phenomena where a baby believes if you cover an object up it not longer exists, but later the child will peek under the cover...
A Sad Winters Day in March
Saw a man in an allotment straining with a rake at arms length poking a small smoky bonfire - the flat sad green and the hard-working grey figure in the sunlight was like a Van Gogh painting...
The Captive
(event time - afternoon, date -Tues 7th March 2006, venue Gothic Nightmares)
"I beheld his body half wasted away with long expectation and confinement and felt what kind of sickness of the heart it was which arises from hope deferr'd. Upon looking nearer I saw him pale and feverish, in thirty years the western breeze had not once fann'd his blood. He had seen no sun, no moon in all that time nor had the voice of friend or kinsman breathed through his lattice"
From Laurence Sterne's "A Sentimental Journey, 1768.
"I beheld his body half wasted away with long expectation and confinement and felt what kind of sickness of the heart it was which arises from hope deferr'd. Upon looking nearer I saw him pale and feverish, in thirty years the western breeze had not once fann'd his blood. He had seen no sun, no moon in all that time nor had the voice of friend or kinsman breathed through his lattice"
From Laurence Sterne's "A Sentimental Journey, 1768.
Subscribe to:
Comments (Atom)


